Kerry James Marshall: Mementos

Texts by Will Alexander, Cheryl Harris, and Richard Powell

Kerry James Marshall’s Mementos is a sadly beautiful reminder of the Civil Rights movement-a reminder that provokes us to question the closed-book, “memorial” status that history has attributed to this moment of inspired social action. In Marshall’s banner-like paintings appear bittersweet visions of 30 years past, in which the heroes of modern black history appear as ghosts frozen in time, and in oversized stamps, the empowering slogans of the movement are rendered uncomfortably silent. This catalogue of the Renaissance Society’s 1998 exhibition of Mementos features magnificent reproductions illuminating the stunning detail and formal grace of Marshall’s work. Cheryl Harris, UCLA professor of law, offers a poignant account of Marshall’s imagery in light of recent history and Richard Powell, Professor of Art and Art History at Duke University, walks us through the exhibition installation, weaving memory and metaphor into the rich fabric of Marshall’s work. Included also are excerpts from Will Alexander’s Hambone #7, and Above the Human Nerve Domain, which infuse the ethereality of Marshall’s imagery and its powerful message to transcend history in a revolution of the spirit.

$45.00

Publisher: The Renaissance Society, University of Chicago

Artists: Kerry James Marshall

Contributors: Will Alexander, Cheryl Harris, Richard Powell

Publication Date: 2000

Binding: Hardcover

Dimensions: 9 x 12 in (22.9 x 30.5 cm)

Pages: 40

Reproductions: 16 color, 8 b&w

ISBN: 9780941548403

Retail: $45 US & Canada

Status: Out Of Print

Kerry James Marshall

With a career spanning almost three decades, Kerry James Marshall is well known for his paintings depicting actual and imagined events from African-American history. His complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes synthesize different traditions and genres, while seeking to counter stereotypical representations of black people in society. Marshall also produces drawings in the style of comic books, sculptural installations, photography, and video. As with his paintings, these works accumulate various stylistic influences to address the historiography of black art, while at the same time drawing attention to the fact that they are not inherently partisan because their subjects are black.

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