The Prints of Anni Albers: A Catalogue Raisonné

1963–1984

?Texts by Brenda Danilowitz and Nicholas Fox Weber

Anni Albers (1899-1994) was one of the twentieth century\s greatest textile pioneers, and a versatile artist/craftswoman who could turn her hand with ease to jewelry, writing, or printmaking. Of her work in printmaking, American audiences had a glimpse when the Brooklyn Museum organized a survey in 1977. Several years previously, in 1963, Albers had visited the Tamarind Lithography Workshop in Los Angeles, and was immediately attracted to the printing process and the potentials of lithography. Over the next 20 years, she created a series of prints that translated her textile innovations and her Bauhaus sensibility into this medium, introducing Mexican colors into her palette and exploring new lithography techniques, offset printing, photographic processes, and silkscreen. Now, RM Verlag and The Josef and Anni Albers Foundation have collaborated on a catalogue raisonné of these prints, creating at last a definitive collection of this extremely significant and previously underdocumented portion of Albers\s output.

$70.00

Publisher: RM/The Josef and Anni Albers Foundation

Artists: Anni Albers

Contributors: Brenda Danilowitz,

Publication Date: 2009

Binding: Clothbound

Dimensions: 9 1/4 x 12 1/4 in (23.5 x 31.1 cm)

Pages: 200

Reproductions: 200 color, 30 b&w

ISBN: 9788492480524

Retail: $70

Status: Out Of Print

Anni Albers

Anni Albers (1899–1994) was a textile artist, designer, printmaker, and educator known for her pioneering graphic wall hangings, weavings, and designs. She was born in Berlin, and studied painting under German Impressionist Martin Brandenburg from 1916 to 1919. After attending the Kunstgewerbeschule in Hamburg for two months in 1920, she enrolled at the Bauhaus in 1922 and joined the faculty in 1929. At Black Mountain College from 1933 to 1949 she elaborated on the technical innovations she devised at the Bauhaus, developing a specialized curriculum that integrated weaving and industrial design. In 1949 she became the first designer to have a one-person show at The Museum of Modern Art, New York; the exhibition Anni Albers: Textiles subsequently traveled to 26 venues throughout the United States and Canada. Her seminal book On Weaving, published in 1965, helped to establish design studies as an area of academic and aesthetic inquiry and solidified her status as the single most influential textile artist of the twentieth century.

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